Ha*Ash will return to the United States and Canada in 2027 with an 18-city tour that takes the Mexican-American duo from Toronto to Miami Beach over five weeks next spring.
Hanna and Ashley Pérez will launch No Me Hablen de Amor – Gira 2027 on April 20th at Meridian Hall in Toronto before crossing the United States and wrapping May 22nd at the Fillmore Miami Beach. The route reaches the Midwest, Pacific Northwest, California, Southwest, Texas, Northeast and Southeast.
Live Nation announced the tour September 21st and will promote the run. A Citi presale begins September 22nd at 10 a.m. local time, with general sales opening September 25th at 10 a.m. local time through Live Nation.
The new dates follow HAASHVILLE, a North American tour that sold more than 66,000 tickets and produced 16 sold-out shows across the U.S. and Canada, according to the promoter. Rather than returning for a handful of concerts in traditionally strong Latin markets, Ha*Ash is again building a multi-region itinerary around Spanish-language pop.
New music will enter the next cycle as well. Recent releases including “Si Me Hubieras Llamado Ayer” and “¿Qué Le Pongo?” will join a catalog that includes “Lo Aprendí de Ti,” “Te Dejo en Libertad” and “Perdón, Perdón.”
No Me Hablen de Amor Starts in Toronto
The tour opens April 20th in Canada before moving into the United States two days later. From the Midwest, Ha*Ash travels through Denver and the Pacific Northwest before reaching California at the beginning of May.
San Jose, Phoenix and Las Vegas follow before the route turns toward Texas, where four concerts are scheduled between May 12th and May 16th. The final stretch brings the duo to New York and Atlanta before the May 22nd finale in Miami Beach.
The official Ha*Ash schedule lists the new dates alongside the duo’s current touring calendar, while individual venues and ticketing services have begun publishing event pages for the 2027 run.
Eighteen cities is enough to show how widely Ha*Ash’s North American audience is distributed. Toronto anchors the Canadian portion, while the U.S. itinerary reaches several regions rather than concentrating almost entirely on California, Texas, Florida and New York.
HAASHVILLE Set a High Bar
The strongest evidence for Ha*Ash’s North American touring growth comes from the tour immediately preceding this one.
Live Nation says HAASHVILLE sold more than 66,000 tickets across the United States and Canada and delivered 16 sold-out performances. Those numbers give No Me Hablen de Amor a different starting point from a tour designed primarily to test whether demand exists.
The previous cycle was tied to Haashville, a project that leaned visibly into the country influence that has long existed alongside Ha*Ash’s Latin pop and pop-rock songwriting. Its title combined Ha*Ash with Nashville, making that musical connection part of the album’s identity and live presentation.
No Me Hablen de Amor moves away from the HAASHVILLE branding while carrying its audience into another cycle. The new title translates roughly to “Don’t Talk to Me About Love,” returning the focus to a subject that has run through much of the duo’s catalog.
“After everything we experienced with HAASHVILLE, we couldn’t wait to be back with our fans,” the sisters said in the tour announcement.
The difference between the two cycles is useful. HAASHVILLE gave the previous tour a particularly strong country concept; No Me Hablen de Amor can draw on that touring momentum without simply repeating it.
New Songs Give the Tour Its Next Chapter
No Me Hablen de Amor is not being positioned only as a greatest-hits return.
Ha*Ash released new music during 2026, including “Si Me Hubieras Llamado Ayer” and “¿Qué Le Pongo?” Both give the sisters fresh material to place alongside a catalog dominated by songs about relationships, breakups and reconciliation.
EFE’s reporting identifies the two newer tracks as part of the musical chapter surrounding the tour and says the show will also draw from established songs including “Lo Aprendí de Ti,” “Te Dejo en Libertad” and “Perdón, Perdón.”
That balance matters for an act with more than two decades of material. Ha*Ash can introduce another touring concept without asking audiences to leave behind the songs that built its live reputation.
No complete set list has been announced, so it is too early to know how heavily the 2027 concerts will lean toward the newest material. The announcement does make clear that the new songs and older catalog will coexist in the show.
Ha*Ash Built Its Career Across Borders
The North American route fits a career that has never belonged neatly to one national music market.
Hanna Nicole and Ashley Grace Pérez were born in Louisiana and developed Ha*Ash’s recording career in Mexico, giving the sisters a cross-border identity long before streaming made Spanish-language music as immediately accessible across territories as it is today.
Their catalog grew around Latin pop and pop-rock while repeatedly drawing from country music, a connection that became especially visible during the Haashville period. Ballads remain equally important, particularly the breakup songs that became some of the duo’s most durable recordings.
More than 20 years of releases also give Ha*Ash something essential for repeat touring: a catalog deep enough to reach listeners who discovered the sisters at very different points in their career.
That history separates No Me Hablen de Amor from a first attempt to establish a U.S. touring presence. Ha*Ash has spent years building audiences across Mexico, Latin America, Spain and the United States. The new itinerary shows how firmly the U.S. and Canada now fit inside that larger live operation.
The Route Goes Beyond Traditional Latin Hubs
Miami, Los Angeles, Houston and New York are unsurprising destinations for a major Spanish-language tour. The rest of the routing says more about how far Ha*Ash’s audience extends.
Indianapolis, Denver, Seattle, Portland, Phoenix and the Chicago area are all included. Toronto gives the tour a Canadian opening, while four Texas dates recognize a market large enough to support multiple stops rather than one statewide appearance.
The Inglewood concert offers another useful measure of that reach. Ha*Ash returns to YouTube Theater on May 2nd, with the venue pointing to the 66,000 tickets sold on HAASHVILLE when announcing the new show.
Streaming and social platforms have made Spanish-language music easier to discover far outside the markets once most closely associated with Latin touring. Promoters also have increasingly detailed consumption and ticketing information to help identify where online listeners can translate into concert buyers.
Ha*Ash’s route does not mean every Latin act can support the same map. More than two decades of touring and catalog recognition matter here. What the itinerary does demonstrate is that this particular audience now extends well beyond a handful of predictable stops.
The Right Room Matters as Much as Scale
Ha*Ash’s 2027 itinerary also illustrates a part of Latin touring growth that can be obscured by attention on stadium and arena blockbusters.
No Me Hablen de Amor is not a stadium tour, nor does it need to be. The route uses theaters and larger concert halls across a wide geographic footprint, matching the room to demonstrated demand in each market.
HAASHVILLE’s 16 sold-out shows make that strategy concrete. A successful North American run does not require an artist to book the largest building available in every city. Selling the right room repeatedly across a larger map can create a substantial touring business of its own.
The 2027 routing keeps the entire tour compact between April 20th and May 22nd while moving through markets with different audience sizes and demographics.
That approach also allows Ha*Ash to carry the same Spanish-language catalog across the continent rather than changing the music to fit each stop. The geography expands; the identity of the show does not have to.
Eighteen Cities Build on More Than Two Decades
Presales for No Me Hablen de Amor begin September 22nd, with the general onsale scheduled for September 25th at 10 a.m. local time. The Highland, California, performance at Yaamava’ Theater is listed separately from the main Live Nation-promoted onsale.
By the time Ha*Ash reaches Toronto next April, the sisters will enter another North American cycle with something many long-running acts never fully develop: a catalog old enough to carry nostalgia and an audience still responding to new music.
HAASHVILLE demonstrated that Ha*Ash could sell more than 66,000 tickets and repeatedly fill rooms across the United States and Canada. No Me Hablen de Amor takes that audience into another cycle instead of treating the previous run as a one-off.
The route begins in Canada, stretches across multiple U.S. regions and ends more than a month later in Miami Beach. Along the way, songs released in 2026 will share the show with music that has followed Hanna and Ashley through more than 20 years together.
For Ha*Ash, North America is no longer an extension of the tour.
It is one of the places the tour is built to live.